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Verona Arena subsects a monumental set with dynamic videos | Entertainment

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“They are artists and engineers at the same time, and it’s not easy,” said Trespidi. “This is a great innovation. It takes time for innovation to take hold. The process we started today doesn’t know where it takes us. Indeed, it moves us forward. Probably. “

The opening premiere on Friday was a double bill for Pietro Mascagni’s “Cavalleria Rusticana” and Ruggero Leoncavallo’s “Clown”. In fact, last year’s “Cavalleria” wooden set remains unfinished at an arena cave-like workshop on the edge of the city and is probably set aside for future editions.

Instead, a Sicilian village was created on a 400-square-meter LED screen, with hillsides, church façade, and rocky buildings all projected in three-dimensional depth. Moving clouds gave the scene a sense of dynamism, with singers and actors moving up and down the physical stairs, passing through a foreground full of tables and chairs, creating a central square.

While “Cavalleria Rusticana” was nostalgicly performed in black, white and gray, the cast of “Clown” wore bright techni-colored costumes against a more preliminary background inspired by the Ferrini movie set. In an opera, which emphasizes the conflict between real life and the theater.

The video components also include cameo images from Italian museums in each of the five new operas, including Aida, Nabucco, and La Traviata. The collaboration with the Vatican Museum, Ufizi and the Egyptian Museum in Turin is intended as a gesture of solidarity with another cultural sector restricted during the pandemic.

Verona Arena subsects a monumental set with dynamic videos | Entertainment

Source link Verona Arena subsects a monumental set with dynamic videos | Entertainment

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